(This is the first part of Musical Dispatch from the Front of 6 October 2013. Use Google Translate for text you cannot understand.)
शुभ दिन अपने दोस्तों और अन्य लोगों
Unlike many of my Aboriginal friends, neighbours and family, my father lived to a ripe old age (91). He grew up as a Dutch child in pre-war Germany. His ‘native’ command of the German language stood him in good stead and on several occasions saved his life in occupied Holland.
I remember asking him (in Dutch) what he thought of the (first) Iraq war, which had just broken out. He answered me in German:
“Wie man in den Wald hineinschreit, so schallt es wieder heraus” (As you shout into the forest, so it echoes back out)
A favourite German expression of dad’s was ‘Man muss dass können begreifen’ (an imperative: one ought to/should be able to understand that)
Before babies can walk and talk they will ‘bob’ to music. No matter what their skin colour or the language spoken by their families, they dance to music, any music, before they can speak and sing.
Music and dancing transcends race and culture.
I remember old man Granites doing a very graceful dance with a spear in our lounge room at my birthday party. Emanating from our record player were the Rolling Stones. His mates were clicking boomerangs.
Even if not a single word is understood music can ‘speak’ to you, it can make you get up and dance.
http://www.youtube.com/watch?v=BBCytQZvOMo
For my birthday Jon Altman gave me a copy of his latest book: ‘Arguing the Intervention’. The front cover painting is by Chips Mackinolty. He painted it in 2007 as his response to the Intervention. It is titled ‘…and there will be NO dancing’ Ich begreife dass.
Recently on ABC TV the film ‘Big Name No Blankets’ was shown, it is a documentary on the all too brief life of George Rrurrampu. George came from Elcho Island. His mother tongue was Gumatj. It is not well known that before joining Sammy Butcher and Neil Murray and others as lead singer in the newly formed Warumpi Band in 1980 he lived in Yuendumu. He learnt Warlpiri and rendered a number of ‘Top End’ stories into Warlpiri readers for the bilingual programme. These booklets are much liked by Warlpiri children even today on the few occasions they get to see them.
George sang with the Poor Boys, one of several bands that had sprung up in Yuendumu. Our open garage with its extension lead power hosted a large number of young musicians (mostly men). Wendy at school staff meetings was often urged to tell the musicians to turn down the volume, or to turn off the power. She suggested they should ask them themselves. “But it is your power!” she was told. Schoolkids would surround our garage and dance. The volume remained. Wendy did not feel the urge to abuse her power. The garage is no more, the Department of Education replaced it with a security cage to lock your vehicle in.
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